Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
Pale pinks and warm creams at the top give way to a complex mid-zone of grey, slate and blue-brown, the surface heavily worked with layered marks — addition and subtraction in equal measure. The lower portion is rich and dark, with traces of warmer tone beneath. The title is quietly perfect: slow water, the kind that holds its own reflection, that carries things without appearing to move.
Medium
Acrylic, ink, charcoal, oil pastel on wood panel
Size
34 cm × 34 cm
Framing
Framed
Pale pinks and warm creams at the top give way to a complex mid-zone of grey, slate and blue-brown, the surface heavily worked with layered marks — addition and subtraction in equal measure. The lower portion is rich and dark, with traces of warmer tone beneath. The title is quietly perfect: slow water, the kind that holds its own reflection, that carries things without appearing to move.
Medium
Acrylic, ink, charcoal, oil pastel on wood panel
Size
34 cm × 34 cm
Framing
Framed