Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
The warmest work in the collection. A cool silver-grey upper register gives way to a band of amber, gold and rust across the lower portion — the colours of late afternoon light on moorland, or embers seen through mist. The horizon line where the tones shift is blurred and broken, the light seeming to come from within the land rather than from above it. A painting of that particular quality of English autumn light that is both melancholic and beautiful.
Medium
Acrylic, ink on cradled wood
Size
54 cm × 54 cm
Framing
Framed
The warmest work in the collection. A cool silver-grey upper register gives way to a band of amber, gold and rust across the lower portion — the colours of late afternoon light on moorland, or embers seen through mist. The horizon line where the tones shift is blurred and broken, the light seeming to come from within the land rather than from above it. A painting of that particular quality of English autumn light that is both melancholic and beautiful.
Medium
Acrylic, ink on cradled wood
Size
54 cm × 54 cm
Framing
Framed